I just couldn’t get into Discovery or Picard because they felt… weird? Not that it wasn’t like Star Trek in the stories or that it was “woke,” but it just didn’t have the same vibe as what I grew up with. Lower Decks has the vibe, but not the tone or anything else. I need to check out Strange New Worlds. It looks like it might be what I’m really missing.
I bounced off Picard because the only thing I liked about it was Jeri Ryan.
I liked the whole alt-dimension humans are evil shit in Discovery, but everyone is so fucking weepy the whole time. It’s depressing. I don’t think it helps that everything seems to be filmed in tiny green screen box sets so everyone has to stand still or they run out of room.
I’m not sure where you’re getting the green screen box thing for Discovery. They didn’t use a whole lot of green screen. They built fairly massive sets that were all reused for other shows. The screens that you see in the show as well, like the see through ones and the ones in the consoles, are not added in post. They mass bought those screens and they actually function in real life. Honestly the amount of CGI used in Discovery, at least outside of space based stuff and effects like transporters/phasers/progammable matter is pretty low. Even then the green screens that they did use were replaced by the video wall for Season 4 and 5.
I’ve no idea why it all looks so cheap then.
I honestly thought David Cronenberg had died and they’d had to use a CGI version of him.
Everything just look so… off…
I’ve heard so many complaints about Discovery over the years. Hundreds.
Cheap is a new one.
It’s because the only “woke” thing nu-trek writers understand is representation, which even that is pretty tame by treks standards. Yeah there’s more POC and lgbtq representation, which is important, but is also pretty standard for our time. There is nothing as groundbreaking as the first interracial kiss on television, or one of the first gay kisses.
Nu-trek writers don’t understand Treks optimism and idealism at all. Gene Roddenberrys vision of a post-scarcity socialist utopia is simply beyond their ability to understand and write. They’re a bunch of Neolibs who can’t imagine a world without capitalism and just write dystopian scifi filled with interpersonal drama because that’s what’s in and what sells right now.
SNW is TOS and TNG modernised. Some character arcs span across some episodes but the episodes by themselves are self contained (maybe with the exception of the end of the seasons).
There is room for totally random episodes that can experiment, do crazy things, and most important, expand characters.
Yes, watch Strange New Worlds! It really does get at the vibe and tone of TNG and the other 90s Trek shows. It’s a breath of fresh air
Second watching SNW! Really fantastic show.
I disagree that it recaptures the vibe and tone of TNG/'90s Trek. I’d say it’s much more like TOS with weird (in a good way) plots and swashbuckling adventure. '90s Trek felt much more grounded and more taking-itself-seriously than TOS or SNW.
I agree it doesn’t exactly capture the vibe and tone of the 90s show, rather it “gets at” them since it’s a lot closer than other nutrek productions. Visually though it gives Star Trek 2009, which is a fun bit of continuity
I’ve heard good things about that enough that I had already decided to watch it in abstract, but you have just tipped me over the edge and I’ve decided to actually give it a try. Thanks for the push, I will think of you when I do watch it
Both Picard and Discovery were season long plots without episodic filler episodes to shake things up which made it painfully obvious that their overarching plotlines were terrible. Add some poorly done melodramatic scenes about how the leads are the most important people ever without showing why (and in a lot of cases showing the opposite) and we have two series that were just a slog to watch up to the point that I stopped.
Both sounded good on paper. Both had great casts. Both seemed to suffer from terrible writing and direction.
without episodic filler episodes to shake things up which made it painfully obvious that their overarching plotlines were terrible
The other series are episode-based with some random simple overarching plotlines thrown at them so they don’t feel repetitive. Yes, those plotlines can’t sustain a series, but that was never the goal.
I can’t talk about Picard, but Discovery has a series of really interesting ideas that were completely destroyed by the overwhelmingly bad details. The plots are not exactly terrible, they have some more complex issues, and the insistence on emotional solutions to galaxy-wide physical problems is a recurring issue there (to the point that in season 4, where a “My Little Pony” plotline makes sense, it feels empty and repetitive).
I can’t talk about Picard, but Discovery has a series of really interesting ideas that were completely destroyed by the overwhelmingly bad details.
This is it. Both series had season plots that would have made for generally decent two-parters back in the '90s.
The final season of PIC was fun, and the second one had some good moments, mostly with Q. But that first season was still being written as they were filming and the second season had part of its budget appropriated for the third season and it shows in both.
But that first season was still being written as they were filming
Really? That explains a lot.
They both had dogshit writing. Deeply bad. Criminally stupid.
I just watched Season 2 of Picard and all I could think the whole time was “TNG crew would have wrapped this up in 1 or 2 episodes…”
I’m not a fan of Picard Season 2 but I will give it the argument that it only takes place over the course of like 2-3 days, just like most TNG episodes when you factor in warp speeds and all the time delays that are needed for the things talked about in the episodes.
Yeah I know. It just felt like it dragged on. I guess I just prefer more episodic Star Trek. Probably in general… all these 8 episode per season “prestige” shows are getting tiresome.
Yup, in order to make Discovery and Picard work, the writers had to give everyone the idiot ball.
Trek is at its best when it’s competence porn.
As a note, to be in star fleet requires 4 years at the start fleet academy. You need to be somewhat good at your job and somewhat disciplined to even be considered for a slot on a ship.
My only major critiques for Discovery are that they walked back a Calvin-verse reboot after fan backlash (my interpretation), and that the theatrics usually don’t mesh well with the action-oriented flow of the rest of the episodes around it.
The reboot thing was, to me, overly clear with the changes in aesthetics and technology. Especially the Klingons. And I get it: it’s hard to dazzle audiences through vibrant creative direction, with decades of canon on your back. All that older stuff has compromises from old effects tech and budget baked in, so breaking from it is incredibly tempting. But the fans will not let you do this: just ask the Dr. Who production people. So we get some really oddball stuff happening in the first few seasons.
To the latter point, we get moments like: “The ship is going to explode in one minute, so let’s argue for at least ten before we deal with that.” This kind of thing happens a lot in Discovery and a binge-watch would have you thinking that the ship’s counselor is either dead or contemplating transporter suicide. The dissent between characters feels valid most of the time, but other times is just jarringly out of character or contrary to self-preservation as to break suspension of disbelief. But there’s usually angry, loud, arguing dissent. Which is a shame since these same episodes is hitting the mark on every other metric, IMO.
My response to the first five episodes was very much “It’s like the writers are justifying a councilor being on the bridge crew.”
Gene had a rule for TNG that conflict should not be between the crew. There are a few exceptions, but it’s pretty consistent. I think that limitation made the writers more creative and greatly enhanced the series.
The only question I have about Discovery is: do you think Michael Burnham is ever capable of crying?
She cant. She came back from the future, like a Terminator, and stuffed her past-self glands with tardigrades, so her pre-tears are transported to a micro verse that needs salt water for reasons.
I liked the series. Not my favourite. But I like it.
I liked it overall, but my god, stop finding a reason for Michael to cry. It’s every fucking episode.
Pretty sure the downvoters didn’t finish reading that…
They sure didn’t and only frothed as soon they saw WoKe.
To be fair, woke is a really annoying right now, essentially a conservative dog whistle for “I want to be racist but don’t want to be called racist”, so I don’t blame a lot of people for not finishing. If I read everything that started off with woke I’d have a much higher blood pressure.
I find it funny that not a single anti woke politician will say the word removed.
They understand woke. But they know they won’t get punched in the face for saying tranny.
essentially a conservative dog whistle for
Acknowledging a gay person exists is considered too woke for a lot of people.
Didn’t even get down to “unrelentingly woke” smh
woke is the new sheeple
…in that anytime anyone uses it to support their argument uou immediately know they’re a grade-a fuckewit.
Yeah, those woke sheeple are ruining everything!
I’m saving that. Not sure if and how I could use it as I (at least try…) avoid fanning flames, but…
You hated Discovery because it was too woke.
I hated Discovery because it wasn’t woke enough.
We are not the same.
I hated discovery because of spore drives and logic extremists.
I dislike it because of “shit wrapped in shiny”, and the black lead woman only capable of doing one expression of emotion: you put it up my ass! But wait maybe I like it?
Yeah, really. There wasn’t much enlightened future stuff going on and they pointlessly killed (and then returned, but still) one of the gay guys for shock value(?). It’s just so poorly written that neither that nor any of the empowerment messages landed for me.
Yeah… exactly. Although after all that I only fully gave up on the show when they jumped forward in time to a depressing future in which the Federation had dissolved. Like, way to completely and utterly miss the point of the setting. I’m gonna go cry into my earl grey now.
I thought it was because they’d received enough backlash from yet another TOS era setting/characters which contradicts canon and finally listened to advance the story into post-NEM territory. Instead they went to ludicrous speed and completely overshot everything.
Everything after the time jump felt like they were going off whatever Gene’s notes ended up becoming Andromeda.
I was totally on board with that premise, thinking they might basically do their version of Andromeda mixed with late-season Enterprise. But then the actual plot happened.
I hated Discovery because it was written like a chorus of monkeys with typewriters and not a single one of them got close to Hamlet.
At least they got the “travel the galaxy on shrooms” part correctly.
I was more annoyed at the klingon subtitle style/font being difficult to read quickly. Each one talking like a kid who just shoved a whole pack of Big League Chew in their mouth from all the prosthetics also bothered me.
Each one talking like a kid who just shoved a whole pack of Big League Chew in their mouth from all the prosthetics also bothered me.
Even worse than how bad the Ferengi were with that
You know, you just reminded me of the episode of Enterprise where the Ferrengi took over the ship. And I was surprised how much I enjoyed (most of) it, and thought the first act where they didn’t bother giving the Ferrengi subtitlea, everything was communicated without the benefit of dialog.
I’m sure everyone else hated it, especially because of some of the weak plot points and how there wasn’t supposed to be any contact with the Ferrengi for 200 years and because everyone hates Enterprise.
On the other hand, it had Jeffrey Combs.
especially because of some of the weak plot points and how there wasn’t supposed to be any contact with the Ferrengi for 200 years
What got me was that Ferengi, when originally introduced, were practically completely unknown to federation despite rumor and conjecture. Yet by the time DS9 premiered they’re long established in alpha quadrant economics
I’d say pretty much all of season 1 should be considered non-canon, or at least, you know, super flexible. Even more than other Trek continuity.
Picard: “We work to better ourselves and the rest of humanity”
Tilly: “I went to Elon Musk junior high school”
I’m just going to pretend it’s one of his descendants with the same name who actually managed to do some good
His descendants will most likely change their name.
Coulld alse be named similar to a area near me, the Native Tribes never named it so its named after a random Bandit who got murdered there.
Yea, Discovery is the best case for virtue signaling being a real thing, which is unfortunate because Trek’s literal entire thing is coming off as “common sense” while spreading a progressive message through allegory.
Even then, Trek hasn’t really pushed the boundaries for a good long time. When it hit it big by TNG/TOS Syndication, it ended up being the cash cow, and thus not worth risking for such controversial things.
At most, it’s just been nudging the norm, but the kind of radical shove that TOS had, and nearly got it pulled off the air twice is basically nowhere to be found.
At most, we got one or two token characters or plots, but a lot of it is mostly the norm, or just a little ahead of it.
Compare it to something less established and free to take on more risk, like the Orville. Since it doesn’t have the big brand that networks want to keep reaping without sowing, it gets a lot of flexibility Trek doesn’t really have any more.
I have to say, I tried really hard but holy crap was the “in your face-ness” of it a problem for me and one of like 5 reasons I can’t stand it.
It’s definitely not any of the concepts, etc. Good to see diverse, women-strong, etc casts and plots. But a lot of it was written A) incredibly poorly, like to try to appeal to middle schoolers, B) it couldn’t stop telling us REALLY LOUD and artificially how progressive it was, and it was jarring and annoying.
it couldn’t stop telling us REALLY LOUD and artificially how progressive it was, and it was jarring and annoying.
Do you have any examples of this?
What?
I have only one response to you:
That episode very directly mocks the whole concept of racism in a way everybody will understand and without pointing fingers. It’s ridiculous, why do they care so much which sides the colors are on, come on! Oh, wait…
That’s what Star Trek does best: Examine problems we have through the lens of weird aliens. The audience can then make the connection to the real world.
Writing in the new shows doesn’t really do that as much, partially because they don’t really do alien of the week type episodes anymore (disclaimer: I haven’t seen SNW). So my impression is that they instead more or less directly and somewhat clumsily talk about current-day issues without the extra layer, which also diminishes the positive future aspect Star Trek is supposed to show. Especially Picard felt really off for me because of that.
The claim was that Discovery was too in-your-face about this stuff. I don’t think you can get more in-your-face than that without Kirk turning to the camera and saying, “get it? GET IT?!”
I’d say making an obvious analogy is being less in-your-face than transplanting one of today’s problems onto the Federation’s future society. The layer of fiction is what makes it effective IMO.
Nobody will feel called out by the ridiculously hate-filled half-black half-white aliens, but if one group was black and the other was white it would be a different story. Making them green and purple would also be less effective because people could just map those to human skin tones. That, I think, is what people would find in-your-face. Doing it the way they did on TOS (aliens of the week that literally look the same except mirrored, no clear good/bad side) puts the ridiculousness of the concept itself front and center, not how the story could be a direct translation of our current issues. And it allows the protagonists to react accordingly as well.
The black-and-white aliens aren’t a subtle analogy but I think it’s smarter than people give it credit for.
I agree that allegory can be effective in ways that tackling issues head on isn’t, but the opposite is equally true. I don’t think addressing real world issues in a very direct way like DS9 did with Benny Russell or the Bell Riots made it a worse show in any way.
Regardless, as far as I can see, Discovery never went the “Benny Russel” route. They operated more like TOS did - they presented a diverse crew working together while addressing issues like fascism, isolationism, and climate collapse allegorically.
Then you’re using a meaning of “in-your-face” that I’ve never seen before because I don’t know how much harder they could have shoved a “racism is bad” message at the audience.
I hated it because half of the characters annoyed me and the other half didn’t have enough screen time
I fucking loathe the series for introducing “Frieza” (the half mecha character), and IMMEDIATELY killing her off. Finally a somewhat interesting character, and they get fucking rid of her. Pisses me the fuck off
I loved Discovery
The difference for me, was that 90’s Star Trek had great role models. NuTrek has none.
It had weak women with goofy hair. Rick berman was a boil on the ass of star trek. That puss bucket is responsible for a ghost rape and a forced pregnancy episode. I can find fault with any of the treks but at least the latest batch has real people and not robots. Not that the actors in 90’s were robots but that is how their parts were written. Even seven acted like a robot in a skin tight spandex.
The fact that they successfully branded “Not Being Racist” as being “Woke and cringe” is… some ol’ bullshit
I loved it
Yep. This greentezt is all just “dont threaten me with a gokd time”. Let anon fawn over one another’s griftcoin acumen and wallow in their oblivious unfuckability.
Short of DS9, Discovery is my fav ✨️
heck yez
Nice try
TNG was actually woke whereas discovery just danced woke items in front of us to distract from the abhorrent writing
Noone who complained about discovery was a Nazi. We wanted star trek and got a dumb CGI fest pretending to be trek
If you really want to know why eetharr discovery, then watch “the Orville” and you’ll understand
I watched them all, and I loved them all too. I had opinions and favorites, but now that I’m done with everything Trek I just wish I could watch it all for the first time again.
I find many of these shows and movies that are accused of being woke is because they create protagonists without flaws, out of fear of making non traditional characters look bad I guess? But protagonists without flaws are boring.
I’m trying to think what Burnham’s fatal flaw is, or her deadly sin. It’s mostly stuff that has happened to her and she has to overcome but that’s not the same thing. Interesting protagonist have flaws like hubris, vice, hypocrisy, greed, something that makes them more real. You look at characters like Rey from star wars and again, flawless except for her past, which again is something that happened to her not something she is.
That’s why people didn’t like when Han Solo didn’t shoot first. Yes Han Solo is overall a good guy, but he’s also ruthless and a gangster when we meet him. If he’s already a flawless good guy at the start,that just sucks. Anakin as well, good but arrogant and controlling
No issue with what you’re saying but I will say that Burnham does have some fatal flaws that are throughout the show and not past things she’s overcoming.
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As you mentioned, hubris. Throughout the entirety of the series she thought she knew what was best or had to shoulder every single responsibility single handedly. Spock openly mocked her for it in front of other crewmen during Season 2 and other crew constantly kept saying that she does it or doesn’t need to.
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She’s hypocritical as hell but that seems to be a thread through most Starfleet officers. Hypocrisy when it serves you. Look at the Prime Directive for every ounce of proof you’d ever need for any other Captain and hypocrisy but she does it pretty regularly too. Again something Spock pointed out in Season 2.
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She’s hot-headedly emotional because she was a human raised as a Vulcan. She suppressed the everlovingfuck out of her emotions and by the time she was embracing her human side and starting to cope with those emotions she was already well into adulthood. A significant crux of the show is that Burnham has trouble regulating emotion because its new to her. People point this out as a complaint saying she “cries too much” but her character is literally someone who feels things more overwhelmingly because she was never raised to cope. Every season is her overcoming that little by little with Season 4 being all of that coming to a head. Her listening to Rillak and trying to do everything she could that she felt was right while also not doing the stupid shit like abandoning Starfleet to go save Book without asking for permission that would have been granted or freaking out over her biological mother and letting those emotions cloud so much of Season 2.
To say Burnham only has flaws that she has to overcome is ignoring most of her character.
So about point 3. Vulcans are more emotional. So much so they have to constantly control them. Being human should make it eaiser not harder.
That one can be handwaved with alien psychology. Aliens think just like humans, except for when the plot calls for them not to. Humans psychological damage from repressing emotions, and vulcans get pon farr.
I think pon far is just when they get super horney every 4 years.
Side note the AI summary for Kolinahr has what I hope is a mistake.
Kolinahr It is the Vulcan ritual that is to purge all remaining emotion. It’s a ritual in which a Vulcan male shaves his balls for the first time.
The problem (at least during the first two seasons, after which I gave up) is that the show bends over backward to make her right in the end.
This again is one of those complaints thats constantly parroted but just isn’t rooted in the reality of the show. It’s not factually accurate by even the largest stretch of the imagination.
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The mutiny at the start in the first episode. She is proven immediately false and that her actions of firing first would have caused a war with all the Klingons warping in just to see Starfleet fire first.
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She (along with Lorca and a few others) make the mistake of trusting Ash Tyler. Something that isn’t fully shared. Saru has apprehensions until the divide has been made and even then is cautious.
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She keeps trying to keep to Federation Ideals while in the Mirror Universe and is proven repeatedly wrong that they don’t apply. She might be able to apply them to herself but no one else from that world and it ends up with her nearly broken from it.
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She spends most of the episodes she’s with Spock just outright ignoring him and going on her own path of what she thinks is right. During the Talos IV episode Spock even in a state of catastrophic mental instability is even annoyed by her arrogance at thinking she’s right when she’s not. Episode also shows her basically arguing with the Talosians and Spock having to say “Just fucking do it.”
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She brings Georgiou back from the Terran Universe and in doing so a planet is almost rendered uninhabitable.
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She refuses to kill Ariam, insisting that she can save her anyway. She ignores orders and in doing so almost allows Control to complete its mission and kill Burnham and everyone else on board. If it wasn’t for Nhan, all sentient life would be dead.
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Throughout Season 2 she is constantly misunderestimating Control and how they can get rid of it. She’s often just as onboard with everyone elses wrong notions as she is wrong on her own. She often goes along with the ideas of how to trap it or stop the sphere but is consistently proven incorrect.
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As mentioned previously, she constantly shoulders all burdens and pushes through them like they are her own. She is proven incorrect there repeatedly too.
And those are just the ones I can think of off hand from the first two seasons. If I actually looked back at episode synopsis and jogged memory I’d find far, far more. A significant portion of her character is constantly being wrong and learning from those mistakes.
You can not like the show all you want. Not trying to convince anyone to like the show. I’m just tired of seeing complaints that just aren’t based in what the show does or what happens in it.
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I think i agree with the general premise that flawed characters are more interesting, and i also feel (with no data to back up that feeling, so bear with me) that these ‘woke’ characters sometimes fall into a pitfall where they’re just so boringly written that it does feel like the writers are either afraid of being perceived as ‘punching down’ or wan
That said, for this show in particular (i have watched TNG/DS9/Voyager but not Discovery), is it a valid criticism for this captain that couldn’t be applied to the older series? Picard’s flaws are heavily understated - sure, he was a violent little shit off screen when he was younger, and he can be a little more of a hardass than called for occasionally, but I always felt he was pretty consistently portrayed as the voice of reason, and his flaws were only relevant in a couple episodes. I think I would say that’s also true of Sisko and Janeway, though Sisko has a lot more nuance to his pragmatism that is really interesting as DS9 continues.
Picard doesn’t have many flaws but the writing doesn’t usually make him the main character. TNG is more a problem solving show than a character drama. When they have character drama it’s usually the B story.
When we do have a Picard centered episode they usually remove him from the rest of the crew. So you could say his main weakness is dependency on a crew. (Diehard in space doesn’t count)
You’re not wrong. Picards biggest flaw that people point towards is either not being great with kids or just emotionally stunted. Janeway has so few flaws overall that the only one you’ll hear follow her around is “Genocidal” because of Tuvix. Most of her other flaws are episodic like with hunting the Equinox.
I think one of her key flaws is that she’s so ridiculously stubborn. That’s why the characterisation works in context. She refuses to give up but sometimes she probably should.
Thanks for that review. Seriously, well said.
So Bald IS a hairstyle!
BALD?? I have hair! Why else would I visit the best barber in Starfleet?!
I assume because the writers thought it was hilarious
Because if he didn’t, he would wind up looking like Hector Salamanca
Hey, Stargate had a (mostly) bald barber too…
I assume he started out with more hair, but still…
Well, yes, obviously. “Broken” is a financial state, “empty” is filling amount, “dry” is an amount of humidity…
And you can look at any programing language the type of NaN.
Bald is zero. Having no head is null
Yeah, I’d say having no head isn’t a hair style.
What’s the “gay agenda” reference for TNG?
idk Riker turned me gay
When I was a kid watching TNG with my parents, my father would sometimes say things like “Man, that guy is too handsome” when Riker was on screen.
Gratis your dad is gay/bi
I also don’t think the TNG cast is particularly overly-emotional.
Plus TNG didn’t retcon Klingon appearance, it had been that way for like 10 years already by that point, from the TOS films.
The TNG cast is pretty human. They don’t avoid anger, happiness, frustration, empathy, sexual tension, etc.
To the chuds of 4chan, showing a normal range of human emotion is over emotional, which this greentext is mocking.
Yeah, I was gonna say I don’t remember anybody being gay TNG. Am I missing something?
Oh, and IMO the cast of TNG is the opposite of emotional. They are calm and collected 90% of the time. 5% is Riker being horny, and the other 5% is Picard losing his shit over the amount of lights or something.
First one that comes to mind is “The Outcast”. Not really gay, but for anyone who is triggered by anything different they would consider it “woke”.
Frakes claims that he lobbied for his love interest in The Outcast to be played by a male actor, but queerphobe Berman nixed it.
There’s also:
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The Host which has Crusher dealing with falling in love with a Trill who moves hosts. It can be seen in some very specific ways as a trans allegory and just challenging heteronormative assumptions about love and attraction.
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The show really pushes a lot of ‘Found Family’ stuff which ends up being super popular in most LGBTQ+ media because we’re disowned by other people. (Data accepted and accepting himself as part of the crew, Worf and Alexander aren’t too awesome but Deanna steps up a bit there. You’ve got Wesley who’s kind of adopted by most of the upper ranks after a while.
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TNG is purely “Infinite Diversity in Infinite Combinations” which people see as gay agenda because they wanna collapse anything pro-diversity as just being LGBTQ+ because they have fragile pathetic minds.
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Q is aggressively queer coded. The hyper dramatic and flamboyant personality, the penchant for being a theatrical whore, openly flirting with Picard (and Riker) in such a way that you genuinely aren’t sure if he’s joking or not, he rejects every type of rigid norm from humanity, Voyager and a few other things even hinted in such a way that due to his ability to change form he’s above gendered norms too and sort of gender fluid. Not to mention being the campiest motherfucker this side of the Alpha quadrant. “It matters to me. YOU matter to me. Even Gods have favorites, Jean-Luc. You’ve always been one of mine.” There’s also his deep fucking loneliness, something that a metric fuckload of people in the community suffer from. Part of a whole but ostracized and on the outside? Yea.
“The Host” was another, and of course introducing the Trill species concept opens up for further things later on. The biggest flaw of that episode is how Beverly didn’t seem to consider a continued relationship after the new host ends up being female. Which is a fine reaction, but for the show pushing boundaries they could have at least had her ponder the idea even if she didn’t act on it. After all, who did she love? In that initial version of the Trill, the host was seemingly not in control, unlike later versions like Dax where the symbiote and host mix to create a shared personality.
DS9 did specifically pick up that torch, so it’s clear they wanted to explore that more.
I don’t think you need “sort of” for gender fluid. When you’re an omnipotent being of pure thought, you’re whatever gender you wish to express yourself as and you almost certainly express it as different genders for different situations on different planets and societies if you’re like Q and you want to spend eternity fucking with them.
I’d also say Odo was gender fluid. Or at least he’s a literal fluid with no gender unless he wishes to have one. He’s not expressing a gender when he’s in his bucket.
Q is Queer? I never would’ve guessed.
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Don’t get me started on ds9. A black captain? A trans lesbian officer? A gay interspecies couple? The federation using fear from war as an excuse to become a police state? Can’t believe they made my colorful space communism show woke.
I’ve seen DS9 multiple times, but I have no clue what you’re talking about on some of these. Please enlighten me.
A trans lesbian officer
Are you talking about Jadzia/Ezri-Dax? If so, neither are trans. The parasite, Dax, in them has no gender but can go to different hosts that have genders.
A gay interspecies couple
Are you talking about Odo and Kira? While Odo doesn’t have gender, I wouldn’t call it a gay interspecies couple. That’s kind of a stretch.
Edited for format
A trans lesbian officer
That is a popular fan interpretation of Jadzia. I can see some similarities, but I don’t even think the Trill are as much as an allegory for transsexuality. That interpretation is very reductive and dismissive of the transsexual experience.
A gay interspecies couple
Garak and Bashir were originally written with gay subtext. Producers put a stop to that before anything actually developed between the two characters.
Thanks
Hold on, O’Brien and Bashir were the same species!
Their third wasn’t.
Bashir was just polygamist. And I guess O’Brien too if we count Keiko as anything more than a mate.
I can’t be the only one who remembers Trekkies legitimately bitching about Tuvok because “Vulcans aren’t black.”
Like… really? You’ve been there and checked this out for yourself? Or is it that most (and not even all) of the handful of Vulcans you saw so far were white?
Tuvok is the best depiction of a Vulcan in all of Star Trek too and I will die on this hill (Spock is half human, so I am not counting him). Tuvok seemed to me like he found humans (and Neelix) to be illogical, difficult to understand, and somewhat annoying; but nonetheless he couldn’t help but like them as well, though he wouldn’t admit that to them (tangential hot take: Vulcans claim to suppress their emotions, but they still make decisions based on emotion and rationalise them as being based on logic after the fact)
Overall I like Tuvok as a character. My problem with Tuvok is they write him as if Vulcans have no emotion. He even says that.
Vulcans are supposed to have such strong emotions they need to constantly keep them under control and use logic to make decisions because the emotions cause them to make bad decisions.
I think that’s a lot more interesting for a character. Nemoy said he played Spock as a guy who was constantly in wonder at things and keeping it under control.
One thing I think that determines if something is good or bad sci-fi is if the components of the show can be used to look at us humans to improve ourselves. An alien race that doesn’t have emotions doesn’t give us a vessel to use to discuss issues humans have and how we can improve. A race with very strong emotions who have recognized making decisions with emotions as a basis, rather than logic, is dangerous is useful as a tool to teach lessons.
This is what makes Star Trek good sci-fi and Star Wars bad sci-fi. There are very few lessons to learn from Wars, if any. Almost all of Trek is in service to this (at least in the good shows). It’s also why the books of Dune are good, but the 1984 version sucks. The miniseries I think are underrated and more people should give it a try. (It’s very campy. Just a warning. If you can watch old Trek you’ll be fine though.) I’m yet to make up my mind of the new Dune. It’s entertaining, and seems to maintain most of the message from the books, but we’re yet to see.
With few exceptions, they’re also supposed to also have mastered their emotions very handily. Partly fue to exceptional biology. Not absolutely constantly be on the verge of breaking into tears or a rage, a la Enterprise.
Sure. My problem with the writing is they write him like he doesn’t understand emotions having never had the them. When it should be the opposite.
He should be more like an alcoholic who doesn’t drink anymore. Still understands what it’s like to be drunk or hungover.
Spock was written the same way in TOS and he’s half-human.
He wasn’t though. That’s a bit of a cultural myth like “Beam me up Scotty.” Watch the show and you will see he clearly has emotion he just doesn’t let them control him.
His joy when he learns he didn’t kill Kirk. His enjoying verbal sparring with Mccoy. The spores removing his control. The look on his face when something strange and new is on the view screen.
Vulcans lie constantly to themselves and others.
Does Tuvok actually say Vulcans have no emotion? I recall no such thing. I recall them suppressing emotions and not displaying them, but the lore was always that they were a really violent society up until they invented meditation, basically. Right?
Anyway, no matter why or what for we know they technically have no emotions in a practical sense, but Tuvok still displays understanding of the importance of emotions a lot of the time.
Like “logically” (the “logic” in the show is usually slightly reductive) dancing for someone doesn’t change anything. But… we know that it does. So it is logical to do that even if you don’t feel the emotions to do it. Although Tuvok does, he just suppresses them, like a good Vulcan.
You know what really grinds my gears about Vulcans? According to Trek lore their blood is green because they evolved using copper atoms to bind oxygen in the blood. But if that were the case they should have hemocyanin, and their blood should be blue.
I know for a certainty, however, that any inhabitable worlds we might find in the future will definitely look like a sound stage populated with Styrofoam boulders
Anyway, hardcore fans are dumb. I should know, I was one
Not dumb, but it makes it impossible to love Star Trek for what it is. A goofy show that takes itself seriously about space socialism. And it’s incredible at that.
Tuvok is black!?!?! I thought he was a Vulcan! I suppose the next thing you are going to tell me is that Odo isn’t a Shapeshifter?
The same people now whine about there being black dwarves in rings of power
I hadn’t heard that, but it doesn’t surprise me. I remember people not too long ago whining about a black Ariel in the live action Disney Little Mermaid movie.
Because real live mermaids that actually exist are white. Everyone knows that.
And thier skin is all wrinkly from being in the water for so long.
You’re presuming a lot here. Like that anyone watched Rings of Power.
A gay interspecies couple?
Rick Berman:
