• 0 Posts
  • 17 Comments
Joined 10 months ago
cake
Cake day: January 26th, 2024

help-circle

  • Sure, Eli Whitney.

    How about the machines automate the complicated jobs to make as many menial jobs for me as possible? Computers these days are all lazy. They could optimize scheduling so the neighbors and I all get time together and time apart for a hundred hours of kicking dirt down at the office each year, instead they hang around doing vapes and abstract paintings of hands.






  • I’m with you calling it out. “His generation’s future is bleak” lol thanks, dad. Half the content on here is screeching about how prior generations failed to save the world, and this guy is leaning full in on “not my choice, not my problem” to a cheering crowd encouraging him to spike his son into the ground.





  • I’m on board with the complementarity objective, but dividing society by collar color is a means for distributing things less. Time barriers reinforce worker segmentation by industry. Different rituals and religious traditions evolve on either side, and Romeo and Juliet are lost in their respective crowds. Convinced their problem is too much work, Four Day Workweek Jesus arrives to champion a revolution towards a three day week, and Four Day Workweek Satan points out that arranging and organizing other people’s lives (for free!) has always been in support of the same capitalists that the bleeding heart Christians seem so upset about.



  • Here’s a random paranoid tangent before lunch! I was reading recently about the evolution of theater in England over a hundred years from ~1550-1650. Elizabeth ruled during the first part of that interval, and Shakespeare wrote. His plays included perspectives from wide slices of society and were performed for royalty and commoners alike. Elizabeth died and private theatrical commissions began to outgrow public theater, which according to wikipedia “sustained themselves on the accumulated works of the previous decades”.

    Starting in 1642 theaters were closed entirely by act of a Puritanical Parliament. That ban lasted 18 years and once the audience was Quite Thirsty, the English Restoration restored theater abstractly and filled it with bawdy raunch.

    Yada yada, Disney then hired a crew of weepy Christian writers in the 20th century to repackage folk tales into Little Mermaid and Iron Man, which seems parallel enough to Shakespeare retelling Ovid. Film flourished, and in the early days of broadcast TV anybody could star in their own very own program. The Writers were on the brink of delivering us Heroes, but they up and left before they could save the cheerleader.

    Now this age of regurgitated, computer animated-and-written, crowdsource produced art seems familiar, too. We’re filling the gaps with what we know, and the Appalachians wielding the pen are finding gaps they didn’t know were there. It’s odd being here, but my point is that if we are stuck in a loop then there’s the potential that on the horizon is a period of Hollywood producing a bunch of light hearted Boob Comedies.





  • I’ve been chewing on the idea that Sauron is part of the fellowship lately and this seems like the opening I need to tackle the framing.

    I think there’s one perspective in which The Eye is an unrelentingly repressive aspect of authoritarianism and The Ring is both part of Sauron and a catalyst for the unnameable evil inherent within her.

    Alternatively The Eye’s power is identifying the thing that corrupts, and The Hobbit’s power is carrying it. Singling anything out is an isolating task for Mean Girls, and in her work separating the Ring from everything else in the universe Sauron grows the thorniest, vilest crows she can to shield her loneliness. Still, when the Hobbits are at their lowest she reveals herself to hold their hands.

    It seems that one approach to devils is pointing them out for somebody else to hurl into the fire and another is relegating them to the negative space by directing identity towards the Main Picture.

    I thought it was obvious but now I’m not sure. Who did Stuart’s nephew kill?